G FORCE— The first and last streetwear brand
AUTOPSY WORKSHOP w/ EMILY KEEGIN— Art director Emily Keegin interrogates fashion imagery in front of an audience
THE END RENDER— John William Watson becomes a handheld device, floating in CGI
UNRELIABLE EVIDENCE— Nico Krijno's photographs act as "a stage, rather than a window into the world."
MORE THAN MATERIAL, LESS THAN WASTE— The first upcycled digital brand for Version by Anne Sofie Madsen & Selam X
NO WOMAN IS AN ISLAND— Artist Alison Lloyd walks into the wilderness with a suitcase full of clothes. Interview by Hettie Judah
PROCREATORS— Jeremy Bailey's lump of quivering digital clay
CONVO®️— Thomas Pellerey Grogan's body rigs shot by Raphael Bliss
XENOPHILIA— Image-making of the future with Katie Bret-Day & Hannah Rose
FACIAL RECOGNITION— A near-future beauty treatment catalogue imagined by Umit Savaci and Jasmina Vico
VENTURE— Charlie Gates & Michael Darlington shoot an imagined future tech workforce
THE EXCEPTION— Zowie Broach's RCA MA fashion graduates are scanned by Joe Cruz
"Visualise the future before it becomes invisible"
XENOPHILIA— Katie Bret-Day & Hannah Rose
UNRELIABLE EVIDENCE— Nico Krijno print archive
VENTURE— An imagined future tech workforce
AUTOPSY WORKSHOP— with Emily Keegin
FACIAL RECOGNITION— A near-future beauty treatment catalogue
CONVO®️— Body rigs
THE EXCEPTION— RCA graduates by Joe Cruz
THE END RENDER— A human handheld device
MORE THAN MATERIAL, LESS THAN WASTE— The 1st upcycled digital brand
NO WOMAN IS AN ISLAND— Artist Alison Lloyd and Hettie Judah
